001 – What’s next I really don’t know is the answer. I’m doing a couple of things, there are a number of things being talked about, but nothing that’s absolutely carved in granite. I’m gonna do another day on another movie, literally next week, for a friend, the same sort of set up as that other one, who’s title I think is the one you saw.
This is the interview we managed to arrange for the site’s first birthday in April 2007 , though the interview was recorded late February. All answers are pretty much word for word what he replied. The interview was carried out at the Grand Theater in Wolverhampton. This is quite a long interview and the questions are out of order from when they were originally asked to make more sense.
Question 000 – From shelliwood: How did you get the scar under your right eye?
How did I get the scar under my right eye? That happened when I was about 13 and I was playing cricket and I got hit by a cricket ball.
I hit a ball and it caught the edge of the bat and flew back up into my face, and hit me right under the eye, split it wide open. But it’s been there and I’ve used it, on a couple of jobs I did I actually highlighted it slightly and made it a feature of the character.
Did I use it in Manimal? Did I or not, do you know I can’t remember. I mean it was more noticeable, it become progressively less noticeable, I don’t even notice it anymore actually. I haven’t ever had anything done about it but as one’s face changes so does it. It also stated a little higher it was nearer my eye so it gets a bit lower, force of gravity (chuckle) or something like that.
Question 003 – From Kerri: Do you find it weird that there are fan sites about you?
I suppose I don’t find it weird because I did when it first happened and therefore having accepted it, I know it’s there.
When Lonna Poland approached my manager in California, which was probably 1982, she would know better than I, but I’m sure it was 1982, it seem to me to a very strange thing, seemed to be rather an American thing because I hadn’t really experienced it much in the UK. We discussed it, my manger said, ‘No this is really fairly normal and it’s not a bad things at all it’s good for PR, it a good way of communicating with fans and we can control a lot of thing so forth to a degree.’ So anyway I said to Lonna that we’d do it and we did. So having made that judgment, from then on I knew about fan sites and therefore I knew what it could be like and Lonna was exceptionally good at running it.
Casualty Star Simon MacCorkindale talks about his latest play, Agatha Christie’s The Unexpected Guest, and explains how close he came to playing James Bond. . .
What’s The Unexpected Guest about, Simon?
It’s the story of a man who arrives at a property in South Wales after having trouble with his car. When he enters the property he finds a dead body, and a woman who claims she’s responsible for the murder. The man, for a variety of reasons, decides to set about trying to give her an alibi…
IT was typical of a doctor to keep you waiting. When have they ever kept their appointment times?
But as my consultation was with one of Holby City’s finest medics, the stoical Harry Harper, I was prepared to wait.
In the four years that actor Simon MacCorkindale has worn the lead stethoscope and a furrowed brow in the BBC’s flagship Saturday night soap he has set more than a few hearts fluttering on and off set.
But can the 54-year-old actor cut the mustard while temporarily back in civvie street on stage at Milton Keynes Theatre this week in Agatha Christie’s The Unexpected Guest?
Following widespread critical acclaim for their star-studded production of The Hollow, the second production from The Agatha Christie Theatre Company promises to be another “beautifully staged and executed murder-mystery… a killer production of classic Christie class” (The Argus).
Simon MacCorkindale is perhaps best recognised as Harry Harper, Consultant in Emergency Medicine, in the BBC’s most popular and enduring drama series Casualty.
A childhood love for drama led to a place at Studio ’68 of Theatre Arts in London aged 19. On completing the course, he toured in regional rep before his West End debut in the highly acclaimed Pygmalion. He worked extensively on British TV, and in 1976 appeared in the renowned I, Claudius and in Zeffirelli’s opulent Jesus of Nazareth.